Press
“I’ve had the pleasure of working with Alex as an actor and more recently as a producer on the UnDisposables’ Julius Caesar. He is highly knowledgeable and reliable, and consistently demonstrates a flair for creative problem-solving and readiness to go the extra mile. I have been particularly impressed by his ability to adapt according to the demands of different performance spaces and directors. He would be an asset to any crew or creative team.”
Conor Gray, producer
“[Employs] a raw minimalism which, combined with a technically superb use of lighting and sound, evoke a stark and savage sense of place.”
TheatreBath – Our Country’s Good
“The often tricky staging of in the round is perfectly balanced …, while the subtle lighting changes between dream and reality clearly moves the audience between these two realms of consciousness with ease.”
Confessions of a Five Foot Two Actress – The Memory of Water
“It was a pleasure working with Alex for our dance theatre duet, Milan’s Game. From the very beginning, Alex was excellent in communication and professionalism and continued that throughout the whole process. Visiting the theatre for the first time, Alex got to work with understanding the very old lighting rig in place and how best to meet our needs for the show with this limited rig. The results were outstanding, and the show ran with such ease thanks to Alex. He worked quickly and with great eagerness to understand the show, putting our company at ease straight away. The design was beautiful and fitted our show so brilliantly. He even helped us remotely when we took our show to the Edinburgh Fringe Festival. We look forward to the time we can work together again.”
Samuel De La Torre, director
“The red lighting for the alarm punctuated the scene changes effectively.”
Sean Tossell, Theatre Fan - In Limbo
“The location changes were handled adroitly: the actors’ narration and the effective use of lighting (different areas of the stage were lit to indicate Transylvania, Whitby and London) avoided confusion and ensured a seamless transition.”
Bath Chronicle - Dracula
“Alex was a joy to work with on High School Never Ends the Musical. He worked as my general assistant, in tech and helping out in rehearsals. A superb team player who kept everything in check - organised and a pleasure to be around.”
Owen Lewis, writer/director